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The World Is Just A Shape To Fill The Night

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Case Studies

The World Is Just A Shape To Fill The Night

12" LP

Availability: In stock

$13.99

Quick Overview

Statement from the artist, Jesse Lortz: Most of these songs were recorded were recorded with friends during Feb. 2011 by Greg Ashley (Gris Gris) in a secluded cabin in Sequim, WA. Milana, Julia, Nicolas, Keegan, Greg, Suzie, Lisa, and Andrew came to the Washington cabin to contribute to the album and take photographs and video. I wanted friends to join me because making records had always been a lonely process for me and I was ready to change that dynamic. Because this project is not a "band" the focus has shifted so that I can play shows alone, or with other people.

Details

Jesse Lortz's follow-up project to the Dutchess and the Duke found him going solo and generally starker as Case Studies; if The World Is Just a Shape to Fill the Night came out in a year when it seemed like there were even more sensitive folkie records than ever before, it also succeeds more than most of its contemporaries by virtue of its differing reference points. Instead of sweetness and general summer afternoon blissfulness, Lortz's lyrical and singing voice, partly drawing on his own unsettled personal situation at the time, emphasizes pronouncement and a darker mood, something not too far removed from Lee Hazlewood on the one hand -- at a remove, admittedly -- and Michael Gira on the other, perhaps more in his early Angels of Light mode. Either figure would have suited a song like "Texas Ghost Story" (not to mention its counterpart "California Ghost Story"), but the conversational storytelling Lortz employs draws on any number of sources, enjoyably if not yet uniquely synthesized. Further contrasts throughout the album via backing singers and other musical guests add a sense of constant tension in a creative way, something that feels like a continued conversation, part echo and part direct response, something that the sentiments of the song "Dagger" render especially charged. The concluding electric guitar on "Lies" has a sting and formality to it that feels utterly unlike rock & roll, something intentionally antique, a retrofitted '80s group instrument. Songs like "The Eagle or the Serpent," drumming building up more throughout the song as backing vocals rise in impact, give a sense of Lortz's reach -- the album isn't, say, Pink Moon -- but all while maintaining a calm, theatrical control, perhaps only calming down a touch with the closer, "The Day We Met," sung almost as a soft rumination into the mike. One especially killer line seems to sum up the album as a whole, from "You Folded Up My Blanket": "...I'm a long long long way from home...and I like it."

Additional Information

Artist Case Studies
Track Listing 1 From the Blade of My Love - 2:41 2 The Eagle, or the Serpent - 4:10 3 My Silver Hand - 3:35 4 You Folded Up My Blanket Like We Were Already Lovers - 2:52 5 Lies - 3:32 6 Secrets - 1:54 7 Animals - 3:16 8 Texas Ghost Story - 3:55 9 Daggers - 3:04 10 California Ghost Story - 4:58 11 The Day We Met - 5:10

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